Intuition and concrete particularity in Kant's transcendental aesthetic

By transcendental aesthetic, Kant means “the science of all principles of a priori sensibility” (A 21/B 35). These, he argues, are the laws that properly direct our judgments of taste (B 35 – 36 fn.), i.e. our aesthetic judgments as we ordinarily understand that notion in the context of contemporary art. Thus the first part of the Critique of Pure Reason, entitled the Transcendental Aesthetic, enumerates the necessary presuppositions of, among other things, our ability to make empirical judgments about particular works of art. These presuppositions are sensible rather than intellectual because on Kant’s view, all intellection that considers objects of any kind, whether abstract or concrete, must at base connect to actual, material objects with which we come into direct contact; and this we can do only through sensibility (A 19/B 33). Thus the following discussion explores what Kant claims must be true of us in order to make the sorts of aesthetic judgments we make, rather than any particular class or quality of aesthetic judgments itself. On Kant’s view, what must be true of us in order to make aesthetic judgments is not different from what must be true of us in order to make any other kind of judgment about empirical objects

Bubble, Bubble, Where's the Housing Bubble?

Discussions of whether a housing bubble exists generally rely on indirect barometers such as rapidly increasing prices, unrealistic expectations of future price increases, and rising ratios of housing price indexes to indexes of household income. Such measures cannot, however, answer the key question of whether housing prices are justified by the value of the services that a home provides. We show how to estimate the fundamental value of a home from rent data. We then apply this procedure in ten metropolitan areas, using a unique set of rent and sale price data for matched single-family homes. We do not find evidence of a bubble in most of these cities: under a variety of plausible assumptions, buying a home in these cities today still appears to be an attractive long-term investment.housing bubble, macroeconomics, bubble, house

OVERVIEW OF AGRICULTURE STRUCTURAL PARAMETERS FOR CANADA

Agribusiness,

Development of non-destructive methodology using ATR-FTIR with PCA to differentiate between historical Pacific barkcloth

Barkcloths, non-woven textiles originating from the Pacific Islands, form part of many museum collections and date back to the 18th and 19th centuries. The ability to determine different plant species which have been used for producing barkcloth is required by art historians to help understand the origin and use of the cloths and by conservators for whom the species type may have an impact on textile durability, deterioration and hence conservation. However, to date the development of a non-destructive, robust analytical technique has been elusive. This article describes the use of Fourier transform infrared spectroscopy with attenuated total reflection (ATR-FTIR) and principal component analysis (PCA) todifferentiation between historic barkcloths. Three distinct groups of historic cloths were identified using PCA of the FTIR region between 1200 and 1600 cm−1 where molecular vibrations associated with tannins and lignins are dominant. Analysis of contemporary cloths only identified Pipturus albidus cloth as different and highlighted the difficulties around producing a representative textile sample to mimic the historic cloths. While the methodology does not itself identify species, the use of historically well-provenanced samples allows cloths showing similarities to group together and is a significant aid to identification

A literature review of analytical techniques for materials characterisation of painted textiles - Part 2: spectroscopic and chromatographic analytical instrumentation

Part Two of this Literature Review of analytical techniques for materials characterisation of painted textiles focusses on the application of vibrational and x-ray spectroscopic and chromatographic techniques used in the analysis of painted textiles to inform understanding of their materials, methods of making and degradation. The principles of detection methods, technique limitations and advantages, and how they complement each other, are explained and advances in techniques applicable in the study of painted textiles are discussed, such as mapping in Fourier transform infrared spectroscopy and Raman, surface-enhanced resonance Raman spectroscopy, and secondary ion mass spectrometry. Most informative work relating to painted textiles comes from close collaboration between conservators and scientists in interpreting findings and this literature review provides a useful starting point to further develop the capabilities of analytical techniques to enhance the study and conservation of painted textiles

A literature review of analytical techniques for materials characterisation of painted textiles - Part 1: categorising painted textiles, sampling and the use of optical tools

Many types of painted textile are represented in museum collections. Their flexibility, draping qualities, and heterogeneous, layered nature make painted textiles complex objects to conserve. What do we know about their materials and making? There has been limited research into painted textiles and particularly their analysis. Whilst much valuable information can be gleaned from paintings analysis, there are many distinct differences in materials behaviour between stretched paintings and painted textiles that need to be identified and addressed. This paper, together with Part 2, aims to raise the awareness of textile conservators, in particular, of potential analytical techniques to identify and characterise the materials, thus enhancing understanding and conservation of painted textiles. Part 1 focuses firstly, on the categorisation of different groups of painted textile providing a context for their study and secondly, it reviews sampling and optical techniques that can be used by conservators, highlighting some of the challenges they present

The environmental impact of nutrition transition in three case study countries

Open Access This article is distributed under the terms of the Creative Commons Attribution License which permits any use, distribution, and reproduction in any medium, provided the original author(s) and the source are credited.Peer reviewedPublisher PD

An Entry Point for Formal Methods: Specification and Analysis of Event Logs

Formal specification languages have long languished, due to the grave scalability problems faced by complete verification methods. Runtime verification promises to use formal specifications to automate part of the more scalable art of testing, but has not been widely applied to real systems, and often falters due to the cost and complexity of instrumentation for online monitoring. In this paper we discuss work in progress to apply an event-based specification system to the logging mechanism of the Mars Science Laboratory mission at JPL. By focusing on log analysis, we exploit the "instrumentation" already implemented and required for communicating with the spacecraft. We argue that this work both shows a practical method for using formal specifications in testing and opens interesting research avenues, including a challenging specification learning problem

'Like-With-Like’: A Comparison of Natural and Synthetic Stitching Threads used in Textile Conservation

This paper reports research undertaken to investigate thread types used in textile conservation by quantitatively evaluating tensile strength and damage to conserved samples. A literature review and questionnaire sent to textile conservators were used to establish the most commonly used threads for laid-thread couching treatments and the rationale behind thread choice. Most common threads found were two-ply hair silk and polyester Tetex as well as other fine polyester, silk and cotton varieties. Three natural fibre plain-weave artefact samples conserved by laid-thread couching with five different thread types (lace cotton, hair silk, organsin, Skala and Tetex) were subjected to either tensile strength testing or a fixed-load experiment for two weeks. The tensile strength tests determined that the conservation treatment provided effective support and different thread types did not give statistically different results. The fixed-load experiment determined that longer time periods created more damage, even with lighter loads

Mechanical properties of wool and cotton yarns used in twenty-first century tapestry: preparing for the future by understanding the present

The conservation of historic tapestries is a complex and highly skilled task. Tapestries now being woven will need conservation in years to come. Can we, by understanding the properties of these contemporary works, assist the conservators of the future? The recreation of the Hunt of the Unicorn tapestries being undertaken by the West Dean Tapestry Studio offers a unique opportunity to access the materials being used and to create a body of data on their initial properties. This study uses tensile testing of the warp and weft materials to determine their maximum load at break, extension at maximum load, and specific stress (tenacity). Wool weft yarns from two different sources and of two thicknesses were examined. These wools were dyed ‘in house’ and the effect of the different dyes used was also assessed. These parameters all showed some significant (P < 0.05) differences. Cotton warp yarns of differing thickness and a gold thread were also tested. The comparison of how cotton and wool break demonstrates that when a tapestry is put under sufficient stress the cotton will snap but the wool may only stretch. However, this could often be beyond its recovery range resulting in a failure to return to shape